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Minions! I present you Mike White, the creator of the hysterically charming comic Amity Blamity! Born and raised in Canada, Mike has always dreamed about writing & drawing stories about his characters. After 5years working in TV and making award winning music videos, he moved to California enamored by the promise of opportunity. He is now back to his first love & childhood dream: creating memorable stories and characters in the spirit Bone, Calvin & Hobbes, Bloom County, and the many influences/inspirations of his youth.

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Podcast: Play in new window | Download (Duration: 50:20 — 46.1MB) | Embed Today I want to talk about setting goals and finishing your projects, both client work and personal projects. Sometimes life gets in the way of our art and that’s just the way the charcoal crumbles kids. The last couple of months have [..see full post.]

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My guest on today’s show loves to draw and write! He is Javier Hernandez, a DIY cartoonist, painter, and entrepreneur. He is the creator of such comics as EL MUERTO, MAN-SWAMP and WEAPON TEX-MEX, which he publishes under his own imprint, LOS COMEX.

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There is so much that can be said about Color Theory that it could fill the Library of Alexandria. It can be overwhelming, so for the Man vs. Art Intro to Color Theory, I’m going to give you the underwhelming Cliff’s notes version. In 1666 the genius Sir Isaac Newton put together the first circular diagram of colors . Ever since then, artists and even scientists have studied and created numerous variations of this concept. Over the years much debate has been provoked due to the differences of opinion about the validity of one format over another. In my opinion, any color wheel which presents a logically arranged sequence of pure hues is valid.

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Hola Minions!
In today’s show I give you a few helpful tips on making your drawings more expressive! A simple way to make your characters look more expressive is to pay attention to the eye direction. When you are doing a pin up of a cartoon character 9 out of 10 times you should have the character looking at us. It is much more powerful to have the figure make eye contact with the viewer. A lot of artists show their lack of confidence by having the character looking away. Not good! Unless the eye direction is dictated by the story in a panel or action you should have your cartoon making good eye contact with us.